Detailed explanation of Tui Bei Tu: The vernacular version of Tui Bei Tu with Jin Shengtan's annotations (Part 2)

Detailed explanation of Tui Bei Tu: The vernacular version of Tui Bei Tu with Jin Shengtan's annotations (Part 2)

There are 60 images in total in "Tui Bei Tu". Excluding the introduction of the first image and the conclusion of the sixtieth image which are not predictions, there are a total of 58 predictions. Next, please see the detailed explanation of the seventh to twelfth images in the vernacular version of Tui Bei Tu with annotations by Jin Shengtan (Part 2).

The full text of Tui Bei Tu: The vernacular version with Jin Shengtan's annotations (II)

The seventh sign is Gengwu (the invasion of Tubo)

Prophecy
My eyes are full of banners and banners. The mountains and rivers are in a state of chaos. I am able to break through the barriers. The sudden arrival of the guest makes the Central Plains cry.
Ants have always been able to breach the dam. The six palaces are locked tightly, and the dream is no longer a dream. The heavy doors and drums contain military spirit. The grass grows, and the earth cries. Jin Shengtan's annotation: This sign represents the domineering vassal states and the invasion of Tubo into the Central Plains.
Detailed explanation in vernacular: The seventh image mainly talks about the domineering feudal lords. To be more specific, the person in the picture should refer to Li Baochen. Li Baochen was originally a general under An Lushan, and was adopted by him. He once led 18 riders to kidnap the Yin of Taiyuan, and later garrisoned Hengzhou. After the Anshi Rebellion was quelled, he surrendered to the Tang Dynasty, was given a name, and was appointed as the Jiedushi of Chengde, in charge of the six states of Dingheng, Yi, Zhao, Shen, and Ji. After that, Li Baochen reorganized the military in the territory, appointed his own officials, and did not pay taxes to the court. Externally, he allied with various vassal states such as Youzhou and Weizhou, gradually forming a local separatist force and becoming one of the three towns in Heshuo.

The eighth symbol is Xinwei (the rebellion of the feudal lords)

Prophecy
The blood of the gun is in the ground. The thief is still a thief. The plum blossoms are flying. The emperor moved to a good day. Ode to good luck (singing praises)
The emperor is in the dust, and his horse heads east. Three heroes are stationed in Guanzhong. A lone army is dedicated to the security of the country, both internal and external, and can collect the merits of their arms. Jin Shengtan's annotation: This symbol represents the rebellion in Jianzhong. The three people are Li Xilie, Zhu, and Li Huaiguang. Li Huaiguang was envied by Lu Qi for his contribution in defeating Zhu, so he rebelled. Therefore, it is said that he defeated a bandit but became a bandit again. The three men invaded the palace one after another, and Emperor Dezong had to relocate his carriage. It was thanks to Li Sheng that he led a solitary army to recapture the capital, and the country was safe again.
Detailed explanation in vernacular Chinese: The eighth image mainly talks about the prophecy of Li Xilie bringing chaos to the Tang Dynasty. The three people depicted in the picture are Li Xilie, Zhu Ci and Li Huaiguang. Li Xilie (781 AD) was the governor of Chengde. He colluded with Liang Chongyi, the governor of Shannan East Road, to rebel against the Tang Dynasty. Li Xilie, the governor of Huaixi, was ordered to suppress the rebellion. He was conferred the title of Prince of Nanping by Emperor Dezong of Tang and concurrently the commander of the army of Hannan and Hanbei.

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